An essay I wrote about Mike Kelley on the occasion of the recent retrospective of his work.

The Permission of Mike Kelley
The recent traveling retrospective exhibition of Mike Kelley reveals the artist’s artwork to be generous, permissive, moral and caring; though not kind, gentle nor easy. There also exists in equal measures cynicism, cruelty and negativity. Caring, in that he strove to ruthlessly expose systems of repression in our lives; unkind, in that his withering attack left few beliefs unexposed, and no sacred goats left unshorn. This permission and generosity can be experienced in three overlapping ways: 1) Mike Kelley provides an example of how to make intelligent, critically engaged work. This provides permission to artists to wholly invest in their subject matter; 2) Kelley’s drive to over-stuff his subjects with meaning to the bursting point. This is an act of generosity to the subject while damning our culture of over-analysis; and 3) Kelley’s work is generous in the sense that he served, as the well-known image of him documents, as a janitor, an astringent force working elbows deep in the pus and bile of mass culture to clear out blockages.

Read the full essay at Notes On Looking.


The Permission of Mike Kelley-Essay | 2014 | Writing | Tags: